Sound Recording Practices
Sound recording practices involve capturing audio signals and converting them into a digital or analog format that can be stored and played back.
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I attended a workshop on 3D audio research at the Tokyo University of Arts (GEIDAI) on 7-8 March 2023. JSPS postdoc scholar Will Howie organized the workshop, and we experimented on side surround loudspeaker reproduction in ITU 4+7+0 (Dolby Atmos) for solo piano in classical music productions. The studio time with Will, Julius Johansson, Toru Kamekawa-sensei, and Atsushi Marui-sensei was a gem for me.
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In this post, I will write a short recording journal about the concerts I recorded in Japan. I left Japan last month and worked as a sound engineer at the Inryoji Temple, Okayama, from June 2022 to April 2023. I only recorded the concerts, and my significant other was usually present. So, we collected some
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There is no excerpt because this is a protected post.
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I attended a tonmeister workshop for immersive audio at Nagoya University of Arts (NUA) on 15-16 October 2022 with Florian B. Schmidt as the guest lecturer.
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I completed my Master of Arts degree in music in July 2022 and I wanted to share my final project. I also made a conference presentation and wrote a conference proceeding out of this material. There should be a copy at the İTÜ-MİAM library. Thanks to everyone involved in this project! Final Project Report
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My latest-research related project was the final project of my master’s degree. I recorded a piano and violin duo of Hungarian Dances for the practical aspect of my final project. In addition, I wrote a supplementary recording journal and examined the impact of COVID-19 on performing arts to delineate the context of the recordings. My